MEMORIES WE LOST
Blood is thicker than water has clearly been justified in this story, through the narrator who stands by the elder sister throughout her illness in the story.
She hardly leaves her sister’s side and goes through the emotional trauma caused by the strange illness with her. She holds hands, keeps her company and even drops out of school to be with her.
Symbolism is a useful tool in story telling because it helps the author add a deeper meaning to the story.
Kino views the pearl as the blessing of a lifetime. At first the pearl is a symbol of freedom. Kino and his family could finally be freed from the oppression of poverty and a meagre existence. This means beautiful wedding for his wife and education for his son.
Discuss how Minik brings change in the society described in Blossoms of The Savannna — Blossoms of the savanna
“In order to fight for your rights as a society, bravery is key. Cowardice usually condemns people to doom.” Validate this statement with reference to Francis Imbuga’s Betrayal in the city.
So many ills are propagated in the current society simply because a majority of people have chosen to be silent and do nothing about problems facing them. The perpetrations of such ills are left to go scot free.
We keep our friends close but our enemies even closer”. Support this statement using “Betrayal in the City” as reference.
We have those that we think are our friends and we keep them informed and as part of our lives, yet they are our enemies and don’t have much interest in us.
With illustrations from Francis Imbuga’s play ‘Betrayal in the City’, Write an essay to show how various characters are victims of injustice.
THEMES - GUIDE TO 'BLOSSOMS OF THE SAVANNAH'
Themes are issues that are consistent in a creative work. They are sub categories or sub topics of the subject matter or the main idea in a work of art. They constitute the entire message the writer wishes to put across to his or her readers. Therefore, themes are the messages put across by a writer in a work of art. There are major and minor themes. Major themes cut across the text and are the main ideas the writer intends to pass to the readers. Minor themes are minor ideas which are still important in the text.
CHARACTERS AND CHARACTERISATION - GUIDE TO 'BLOSSOMS OF THE SAVANNAH'
A character is a fictitious personage created by a novelist in order to convey an idea. Characterization is the process of selecting suitable characters that suit specific roles by the novelist. Characters are of many types: main, minor, shadow, protagonist, antagonist depending on their role and significance. With themes and style, they form the basic triangle in literary work. The three questions answered by the three basic aspects are what, how and who. The question answered by character and characterization is “who”. In this novel, the protagonist, the character every reader would wish to be like, is Resian. The family of Kaelo is a key family; Kaelo, Mama Milanoi and Taiyo. Close people to this family like Oloisudori, Olarinkoi, and Joseph Parmuat are equally key characters in this novel. There are still other characters that help in anchoring thematic concerns, the plot and style and they include: Simiren, his wives especially Yeiyoo Botorr and yeiyoo-kiti, Ole Supeyo, Nabaru, Minik, the enkamuratani and enkoiboni.
CHAPTER ONE: SYNOPSIS AND SUMMARIES OF CHAPTERS - GUIDE TO 'BLOSSOMS OF THE SAVANNAH'
SYNOPSIS OF BLOSSOMS OF THE SAVANNAH
The novel begins as Kaelo, his wife, Taiyo and Resian leave Nakuru for Nasila, a rural area in Maasai land. This is as a result of retrenchment of Kaelo who has been working as the manager of Agribix Limited. On reaching Nasila, Ole Kaelo’s are welcomed by uncle Simiren’s family which consists of four wives and sixteen children. In a move towards settling in Nasila the new home, Ole Kaelo visits his old friend Ole Sumpeyo. It is thirty years since Ole Kaelo left Nasila for Nakuru.
The Kaelo’s hold a homecoming party in which they invite members from the five clans aimed at re-linking the Kaelo family to the other villagers. Taiyo and Resian observe that some young men are suspicious of them for they are not circumcised. In an attempt of acquainting the two girls with Nasila culture, Kaelo informs Joseph Parmuat to teach Taiyo and Resian traditional songs and dances. As the young ones spend more time together, a love relationship begins to develop between Taiyo and Joseph but unfortunately due to cultural demands the relationship is restrained.
Unfortunately, there is an attempted rape on Resian and Taiyo. Consequently, an ad hoc group of men is formed to hunt down the culprits. After it is known that Lante and Ntara are responsible for the heinous act, punishment is meted on them. The novel reveals of how females have contributed significantly to the beginning and continuation of FGM through the Olarinkoi legendary story.
GUIDE TO 'BLOSSOMS OF THE SAVANNAH'
THE BIOGRAPHY OF HENRY OLE KULET
Henry ole Kulet was born in 1946. He is a veteran and award winning Kenyan writer known for his novels which capture aspects of environment, culture and experiences of Maasai people. He is an established author for he has written eight novels. Daughter of Maa is a story of quiet village that is stirred by a frenzy of activities by the arrival of a young and pretty community teacher, Anna Walangh. He authored It is possible in 1971, How To became a Man in 1972 and Bandits of Kibi in 1999. In Bandits of Kibi, he created scenes which came out during the Post-Election Violence in 2007 after the disputed elections.
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